29 Comments
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Stanley Wotring's avatar

Best be careful being naked and exposed around all those bees.

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James Maynard's avatar

The link to the essay appears broken? This all seems to me a fragmentation of attention to what a journal is willing to stand by. How could they publish then retract if they weren’t first committed? Not just cowardice, but inattention. Can you imagine the New Yorker retracting Hannah Arendt? In this age, I can.

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James Maynard's avatar

What I mean is, in the haste for CONTENT the publishers publish a piece they cannot stand by. Which is like picking up the tuna off the cannery floor. (With all due respect to the tuna.)

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Lev Raphael's avatar

They liked the piece but probably bowed to a Twitter mob as is all too common.

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X. P. Callahan's avatar

Yes. that is essentially what happened, though in this case the template was more Hobart After Dark than Poetry: the X/Twitter mob was a Church Ladies’ Auxiliary.

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James Maynard's avatar

Thanks.

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Lev Raphael's avatar

You're welcome. Though I don't think Guernica was looking for content. They are one of the hardest lit mags to get into for poetry, fiction, or essays: according to Duotrope, they only accept "0.20 % of submissions."

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Alexis R Kane's avatar

Fab poem. And I’m dying to read Chen’s essay. But the link is broken.

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Lev Raphael's avatar

Devastatingly true observation in the poem and notes: too many champions of "resistance" are actually Soviet-style apparatchiks and their aim is suppression of dissent from the party line. I found the essay beautiful and balanced and am appalled at the staff's decision, but not surprised. It's of a piece with the hysteria sweeping college campuses. And a note on "fulsome": https://www.nytimes.com/2009/03/22/magazine/22wwln-safire-t.html

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X. P. Callahan's avatar

Yes. Which is why I said it was pompous but not incorrect.

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Lev Raphael's avatar

Safire's advice was good: don't use a word that can be misconstrued.

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Radically accessible poems's avatar

So sad, when people can't say what they think when it's not WOKE enough of politically correct enough. We have given up on true diversity and debate.

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David Lyman's avatar

I read the original essay by Joanna Chen through the link. It could not have been written more carefully and thoughtfully. She takes the reader with her every step of the way, with unwavering compassion for this broken world.

The self censorship on the left reminds me that many of these people are indeed “snowflakes”, distraught because they weren’t provided with “safe space”. And so it goes….

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Lev Raphael's avatar

Forces on the right and left now come together in a bizarre hatred of Jews and Israel. https://www.newyorker.com/news/q-and-a/how-anti-semitism-rises-on-the-left-and-right

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X. P. Callahan's avatar

Horseshoe hatred. Horseshoe hysteria.

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Mike Speriosu's avatar

I know next to nothing about "official" American poetry and its trappings, but yours today is powerful and beautifully crafted, context or not.

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X. P. Callahan's avatar

Thank you, Mr. Mike.

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Laura Pilnick's avatar

Powerful and good

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X. P. Callahan's avatar

❤️

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d.w.'s avatar

This is one of your better posts, and that's saying something!

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X. P. Callahan's avatar

Thanks so much.

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Becky Tuch's avatar

"the narcissism of small differences." YES YES AMEN.

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X. P. Callahan's avatar

Freud.

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Thomas Rist's avatar

Tremendous.

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Celeste's avatar

interesting read, full of imagery I had to go back and look closer at & think about. Where ever do you find these fantastic notes, essays and inspiration? Thanks for a thoughtful Monday read.

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Janie Braverman's avatar

I just don't even know where to start with the substance of what you're writing about. Thank you for this.

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Mary Holscher's avatar

“I still find vitality and excitement at the margins of official US poetry culture”…thank goodness for this! I’ll follow your links s soon as I have time.

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